Animated film The Last Unicorn and Synchronicity, part 3; uploaded

I have shared the third section of the first chapter of the introductory data book, Unacknowledged Virtue of The Last Unicorn: New Data Unraveling The Process of Creation, on Academia.

(3) Synopsis, Storyboards and Synchronicity

https://www.academia.edu/103139007/_3_Synopsis_Storyboards_and_Synchronicity


“Synopsis, Storyboards and Synchronicity”, section 3 of “Animated film The Last Unicorn and Synchronicity,” introduces a new source testifying to the production process of the animated film The Last Unicorn, which is very interesting in consideration of the identity of conceptual existence through ontological relationship between the original and derivative works. This is an internal document kept in Topcraft studio as “synopsis” of The Last Unicorn, written in Japanese. Comparing the original novel, synopsis and the completed animated film, we may be able to envision something that reminds of the fictional archetype in “omnium” state, which is full of diversity hidden behind the original work, along with the accidental deviations in differing manifestation modes among numberless possible worlds.