Mr. Katsuhisa Yamada Memoirs

I shared Mr. Yamada's answers to my questions.
I asked Mr. Yamada several questions regarding the difference between the scenario/the storyboards and the finished film.
He recollects the actual making procedure taken between Topcraft and Rankin/Bass in his answer.

https://www.academia.edu/107082707/Yamada_Memoir_Answers_to_Kuroda_s_Questions_1

Second part of Mr. Katsuhisa Yamada’s answers to Kuroda’s question. According to Mr. Yamada’s memory, Rankin/Bass made some decisive changes in the course of the making of The Last Unicorn.

https://www.academia.edu/107082893/Yamada_Memoir_Answers_to_Kuroda_s_Questions_2

Those Katsuhisa Yamada Memoirs are now listed in the section "Katsuhisa Yamada Memoirs" of Makoto Kuroda's Academia page.

https://204.academia.edu/MakotoKuroda/Mr-Katsuhisa-Yamada-Memoirs

Mr. Yamada is now preparing for writing about Toei Douga production, the pioneer company of Japanese anime from which most of the present Japanese anime studios were derived. If there were any questions or requests, please notify them to Kuroda.

Ambiguous Presentation and Visual Art: Polysemy in Valerie and Her Week of Wonders; translated

I have shared the translation of the second chapter of my study of meta-personality; “Ambiguous Presentation and Visual Art: Polysemy in Valerie and Her Week of Wonders”; on Acadedmia.

https://www.academia.edu/105368894/Existence_Phenomenon_and_Personality_Polysemy_in_Valerie_and_Her_Week_of_Wonders

What can be effectively pointed out in this video work is the characteristic change in the description of the fictional world indicative of the influence of the quantum mechanics worldview that developed under the influence of thinkers such as Werner Heisenberg and Niels Bohr who had a deep understanding of both philosophy and physics, following Einstein’s announcement of the Relativity Theory in the early 20th century. In examining the foundations of fictionality argument in relation to literary trends such as actualism and surrealism, and re-examining the ideological significance as system theory of fantasy literature, the visual expression introduced in this film seems to provide a particularly useful clue for understanding the implication of fictionality. This provides important suggestions that make it possible to infer the expanded domain of cognitive norms related to the essential grasp of existence and phenomena when the subject of consciousness accepts the reality of the fictional world as an object of perception and grasps it as a set of concepts making particular qualia.

Anime Study: Party Dress Effect in Madlax

I have shared a Popular Culture Association international conference text of anime section on Twitter in the link below.

https://twitter.com/mackuro3/status/1549923688082178049

I appreciate questions suggestions freely bestowed on the thread.

Creative Writing model reports 2

Creative writings contributed in the class, annotated scenarios of the anime The Last Unicorn and Full Metal Panic Fumoff. Active reading comprehension is pursued through commentary making. It is a very creative performance to insert one’s own impressions as comments expressed in her own peculiar way, enriching the work with more meaning and density through the interaction between the viewer and the object of appreciation.

animation The Last Unicorn
https://www.academia.edu/34545796/TLU_scenario.docx

anime Full Meta Panic Fumoff
Fruitless Lunchtime
https://www.academia.edu/34543439/Full_Metal_Panic_Fumoff_Fruitless_Lunchtime

Mysterious Love Letter
https://www.academia.edu/34543419/Fullmetal_Panic_Fumoff_Mysterious_Love_Letter

論文「２次創作作品Peter Panと仮構的原型」アップしました

映画『Peter Pan』の２次創作作品としての位相を量子論理を適用した仮構世界論として論考した「２次創作作品Peter Panと仮構的原型」です。今回アップするのは２分割した前半部分です。

以下のリンクからご覧下さい。
http://www.linkclub.or.jp/~mac-kuro/anti/alternative.htm