01 May

Animated film The Last Unicorn and Synchronicity, part 1; uploaded

I have shared the starting section of the first chapter of the introductory data book, Unacknowledged Virtue of The Last Unicorn: New Data Unraveling The Process of Creation, on Academia.

“Animated film The Last Unicorn and Synchronicity”, part 1.

https://204.academia.edu/MakotoKuroda/Study-of-The-Last-Unicorn-translated

Though it is not commonly acknowledged, The Last Unicorn is not a typical fantasy work. Actually, it quite often goes beyond the norm of the genre in its peculiar attempt of description of the impossible and maintained attitude of denial of the traditional value system generally adopted in most romance. Against those subversive tendencies, the main subject of the work “magic” has to be reconsidered as an attempt for speculative creation in view of metaphysical reassessment of fictionality. The systematic nature of magic that “comes and goes” from and to outer region other than personal domain, and also at the same time improvised by correspondence between the subjects of consciousness must be considered in comparison with cosmological theories that have deep bearing with consciousness such as David Bohm’s implicate order and Jack Sarfatti’s information theory of retro causality, arguing the nature of its notion implying the existence of cosmic evolutionary law, in a way similar to ones such as clinamen, entropy and providence.