Identity and Individuality of Derivative Fictions -- continued

Neverland is an impossible world where all the contradictory phenomena coexist and also annihilate each other. It is a purely conceptual phase space of fictionality in which a psychological manifold that transcends the constraints of topological conditions unfolds. Peter Pan, a master of make believe, is able to live in a speculative game world consist of delusions as his real life. Its thematic nature lies in the mechanism of metafiction, in which the author, disguised as one of the characters, goes on constructing a world of abstract ideas through peculiar narration consisting of interactive dialogue with a virtual reader, thereby revealing the process of describing the fictional world as a bundle of hypothetical propositions.

I have shared previous threads of this study in three segments on Academia. They are slightly modified in order to better illustrate the comprehensive subject.
I am now working on the fourth segment.

Please refer to the links below.
https://www.academia.edu/114744009/Identity_and_Individuality_of_Derivative_Fictions_Fictional_Archetype_and_Equivalency_of_a_Movie_to_the_Original_Novel_1

https://www.academia.edu/114922302/Identity_and_Individuality_of_Derivative_Fictions_Fictional_Archetype_and_Equivalency_of_a_Movie_to_the_Original_Novel_2

https://www.academia.edu/115238897/Identity_and_Individuality_of_Derivative_Fictions_3