01 November

Study of Re:CREATORS 72: Lecture 10 continued

Lecture 10 continued

Suruga says hearing Blitz’s plan. “What’s so fun about a monotonous plot like that?”
“If it was up to me, I’d do this. I would surprise you and make you decide to kill Altair for the sake of your daughter.”
“It’s obvious that you’re the one I should kill for the sake of my daughter.”
“No, I’m right. Because I’m a god.”

At the appearance of his dead daughter Erina, Blitz is actually agitated.
“No way! She died. She already died! Right before my eyes!”
“It was hard bringing her back. In the world of Code Babylon that I wrote, there were no magicians.”
In the world where Blitz existed, it was impossible for a dead daughter to come back to life.
But it’s possible for Creators to mesh different stories together and have them make sense. By rubbing together two different fictional worlds the Avalken of Reminisce, where Meteora exists, and Code Babylon, where Blitz exists, they were able to realize an unexpected turn.
“But in another world. Yes. In Meteora’s world. Meteora is a magician of the highest rank. It’s possible to mesh different stories together and have them make sense. We wrote the plot, and linked your world with Meteora’s world. We remade the dimension gate, and brought Erina back to life after she got her head blown off.”
“You can do that?”
“But there was one hurdle. One problem we couldn’t avoid: acceptance.”
https://x.com/mackuro3/status/1341350544070230018

In contrast to the surface consciousness, the submerged consciousness behind it is called “depth consciousness,” and it is this lurching consciousness that is connected to the huge primordial consciousness that exerts its approving power.

Ontology of fictionality must be understood through cosmological relationship with the primordial consciousness that is supposed to have the ability of generating existence, phenomenon and individual consciousness. It is where the key to comprehend the implication of creational drive that has been called by the name “inspiration” is hidden. Because fictionality has the characteristic of merging together existing works in teleological perspective.

As for the argument on the teleological element of fictionality, please refer to the article below which discussed the magic principle depicted in The Last Unicorn through the notions of pilot wave and Science of Resonances.
https://www.academia.edu/125173975/Universal_Music_and_Pilot_Wave_Magic_in_The_Last_Unicorn_and_Science_of_Resonances

Suruga says, “But we solved that. The audience approved of it.”
Actuality of the merged fictional worlds tolerates some inconsistencies beyond the limits of reality.

Blitz apologizes to Erina. “I’m sorry. Papa shot you. I shot you.”
Erina answers, “No. I’m the one who wished for someone to end it. I knew you would make my wish come true. I was happy.”
“What are you saying? I couldn’t save you. I should have saved you no matter what. I failed as a father.”
“That’s not true. I love you. I never thought I’d be able to say ‘I love you’ to you again. I’m really glad, Papa.”

Suruga says, “Hey, this is the climax, Blitz. Your daughter is back. What are you going to do? Are you going to be loyal to poor Altair, and watch your daughter die again? Or are you going to defeat her, and go back to your own world with your daughter? You choose whichever you want.”
The Creator of Blitz is a harsh God.

Sota is answering Magane’s question.
“I don’t know. It might be for my own sake. Or it might be for the sake of the world. It might be to pay for my sins against Shimazaki. It might be because I want to help the people who helped me… like Matsubara, Marine, Selesia, and Meteora.
https://twitter.com/mackuro3/status/1341576525699674116